About a year and a
half ago, I reviewed the splendid and tender novel, Our Souls at Night by Kent Haruf.
While on a reconnaissance mission to new and independent books stores in
Florida, I came across four of his six novels.
The owner of the shop happened to be there and we talked about some
authors she liked, and when she mentioned Haruf, I swept up the four missing
works. We will be spending a lot of time
with the novels of the departed Kent Haruf over the next year.
I began with Plainsong, which now comes to you highly
recommended. Haruf provided an epitaph
to the novel with this definition, “Plainsong—the
unisonous vocal music used in the Christian church from the earliest times; and
simple and unadorned melody or air.”
Plainsong is a perfect title for a perfect novel.
The story revolves
around history teacher Tom Guthrie and his two young sons, Ike and Bobby;
Victoria Robideaux, a teenager thrown out of her home by her mother; Maggie
Jones is a colleague of Tom’s, and she decides to help Victoria; two bachelor
ranchers, Raymond and Harold, who take Victoria into their home, and Ella,
Tom’s wife, who suffers some psychological problems; and finally, the town of
Holt itself. All these characters live
quiet lives trying to survive, while trying to bring others along with them.
Ella is living
separately from Tom and the boys. She
decides to move to Denver to live with her sister. Tom brings the boys for a visit with Ella
before she leaves. Haruf writes, [Ike
and Bobby] climbed out of the pickup and walked one after the other up the
sidewalk and knocked on the door and stood waiting without turning to look back
at him, and then she opened the front door.
She had changed clothes since the afternoon and now she was wearing a
handsome blue dress. [Tom] thought she
looked slim and pretty framed in the doorway.
She let them in and closed the door, and afterwards he drove up Chicago
Avenue past the little houses set back from the street in their narrow lots,
the lawns in front of them all brown with winter and the evening lights turned
on inside the houses and people sitting down to dinner in the kitchens or
watching the news on television in the front rooms, while in some of the houses
some of the people too, he knew well, were already starting to argue in the
back bedrooms” (118-119).
Ike and Bobby visit
an elderly woman to collect the weekly newspaper money. She intimidated the boys a bit, but they were
polite. On one such visit, Haruf wrote,
“She shuffled into the next room and came back carrying a flat and ragged
cardboard box, and set it on the table and removed the lid, then she showed
them photographs that had been much-handled in the long afternoons and evenings
of her solitary life, photpgraphs that had been lifted out and examined and
returned to the black picture book album, the album itself of an old shape and
style. They were all of her son,
Albert. That’s him, she told them. Her tobacco-stained finger pointed at one of
the photographs. That’s my son. He died in the war. In the Pacific” (149-150). I once ran errands for an elderly woman who
was bed ridden. She chain-smoked as dug
in her purse for a quarter.
This story won’t
make you cry. It is the “comfort food”
of reading. Like the epithet, steady
good people live their lives trying to help one another any way they can. I can’t help being reminded of Thoreau’s note
that “The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation.” I had a tough time putting this novel down
when the door bell rang, or when I was called to dinner. It is a quiet read for quiet times. Plainsong
by Kent Haruf is a novel you won’t soon forget. 5 stars.
--Chiron, 1/2/17
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